Η Ελληνική Μουσική Κοινότητα από το 1997
 |
Tracks: 1) The Emperor Of Wyoming 2) The Loner 3) If I Could Have Her Tonight 4) I've Been Waiting For You 5) The Old Laughing Lady 6) String Quartet From Whiskey Boot Hill 7) Here We Are In The Years 8) What Did You Do To My Life? 9) I've Loved Her So Long 10) The Last Trip To Tulsa.
Tracks: 1) Cinnamon Girl 2) Everybody Knows This Is Nowhere 3) Round & Round (It Won't Be Long) 4) Down By The River 5) The Losing End (When You're On) 6) Running Dry (Requiem For The Rockets) 7) Cowgirl In The Sand.
Tracks: 1) Tell Me Why 2) After The Gold Rush 3) Only Love Can Break Your Heart 4) Southern Man 5) Till The Morning Comes 6) Oh Lonesome Me 7) Don't Let It Bring You Down 8) Birds 9) When You Dance You Can Really Love 10) I Believe In You 11) Cripple Creek Ferry.
Tracks: 1) Out On The Weekend 2) Harvest 3) A Man Needs A Maid 4) Heart Of Gold 5) Are You Ready For The Country? 6) Old Man 7) There's A World 8) Alabama 9) The Needle And The Damage Done 10) Words (Between The Lines Of Age).
Tracks: 1) Time Fades Away 2) Journey Through The Past 3) Yonder Stands The Sinner 4) L.A. 5) Love In Mind 6) Don't Be Denied 7) The Bridge 8) Last Dance.
Tracks: 1) Walk On 2) See The Sky About To Rain 3) Revolution Blues 4) For The Turnstiles 5) Vampire Blues 6) On The Beach 7) Motion Pictures 8) Ambulance Blues.
Tracks: 1) Don't Cry No Tears 2) Danger Bird 3) Pardon My Heart 4) Lookin' For A Love 5) Barstool Blues 6) Stupid Girl 7) Drive Back 8) Cortez The Killer 9) Through My Sails.
Tracks: 1) The Old Country Waltz 2) Saddle Up The Palomino 3) Hey Babe 4) Hold Back The Tears 5) Bite The Bullet 6) Star Of Bethlehem 7) Will To Love 8) Like A Hurricane 9) Homegrown.
Tracks: 1) Goin' Back 2) Comes A Time 3) Look Out For My Love 4) Lotta Love 5) Peace Of Mind 6) Human Highway 7) Already One 8) Field Of Opportunity 9) Motorcycle Mama 10) Four Strong Winds.
Tracks: 1) My My Hey Hey (Out Of The Blue) 2) Thrasher 3) Ride My Llama 4) Pocahontas 5) Sail Away 6) Powderfinger 7) Welfare Mothers 8) Sedan Delivery 9) Hey Hey My My (Into The Black).
Tracks: 1) Sugar Mountain 2) I Am A Child 3) Comes A Time 4) After The Gold Rush 5) My My Hey Hey (Out Of The Blue) 6) When You Dance You Can Really Love 7) The Loner 8) The Needle And The Damage Done 9) Lotta Love 10) Sedan Delivery 11) Powderfinger 12) Cortez The Killer 13) Cinnamon Girl 14) Like A Hurricane 15) Hey Hey My My (Into The Black) 16) Tonight's The Night.
Tracks: 1) Weight Of The World 2) Violent Side 3) Hippie Dream 4) Bad News Beat 5) Touch The Night 6) People On The Street 7) Hard Luck Stories 8) I Got A Problem 9) Pressure 10) Drifter.
Tracks: 1) Ten Men Workin' 2) This Note's For You 3) Coupe De Ville 4) Life In The City 5) Twilight 6) Married Man 7) Sunny Inside 8) Can't Believe Your Lyin' 9) Hey Hey 10) One Thing.
Tracks: 1) Rockin' In The Free World 2) Crime In The City (Sixty To Zero Part I) 3) Don't Cry 4) Hangin' On A Limb 5) Eldorado 6) The Ways Of Love 7) Someday 8) On Broadway 9) Wrecking Ball 10) No More 11) Too Far Gone 12) Rockin' In The Free World.
Tracks: 1) Country Home 2) White Line 3) Fuckin' Up 4) Over And Over 5) Love To Burn 6) Farmer John 7) Mansion On The Hill 8) Days That Used To Be 9) Love And Only Love 10) Mother Earth (Natural Anthem).
Tracks: 1) Unknown Legend 2) From Hank To Hendrix 3) You And Me 4) Harvest Moon 5) War Of Man 6) One Of These Days 7) Such A Woman 8) Old King 9) Dreamin' Man 10) Natural Beauty.
Tracks: 1) My Heart 2) Prime Of Life 3) Driveby 4) Sleeps With Angels 5) Western Hero 6) Change Your Mind 7) Blue Eden 8) Safeway Cart 9) Train Of Love 10) Trans Am 11) Piece Of Crap 12) A Dream That Can Last.
Tracks: 1) Song X 2) Act Of Love 3) I'm The Ocean 4) Big Green Country 5) Truth Be Known 6) Downtown 7) What Happened Yesterday 8) Peace And Love 9) Throw Your Hatred Down 10) Scenery 11) Fallen Angel.
Tracks: 1) Guitar Solo 1 2) The Round Stones Beneath The Earth... 3) Guitar Solo 2 4) Why Does Thou Hide Thyself, Clouds... 5) Organ Solo 6) Do You Know How To Use This Weapon? 7) Guitar Solo 3 8) Nobody's Story 9) Guitar Solo 4 10) Stupid White Men 11) Guitar Solo 5 12) Time For You To Leave, William Blake... 13) Guitar Solo 6.
Tracks: 1) Big Time 2) Loose Change 3) Slip Away 4) Changing Highways 5) Scattered (Let's Think About Livin') 6) This Town 7) Music Arcade 8) Baby What You Want Me To Do.
Tracks: 1) When You Dance (You Can Really Love) 2) Barstool Blues 3) When Your Lonely Heart Breaks 4) Mr Soul 5) Big Time 6) Pocahontas 7) Human Highway 8) Slipaway 9) Scattered 10) Dangerbird 11) Prisoners Of Rock'n'Roll 12) Sedan Delivery.
Tracks: 1) Good To See You 2) Silver & Gold 3) Daddy Went Walkin' 4) Buffalo Springfield Again 5) The Great Divide 6) Horseshoe Man 7) Red Sun 8) Distant Camera 9) Razor Love 10) Without Rings.
Σοφία Αργυροπούλου: Το ''Απόψε Θέλω Να Πιω'' είναι η ζωή μου σε 76 λέξεις
Η ιστορία του «Dub Be Good To Me» των Beats International
Σταύρος Σιδεράς: Όταν είσαι καλλιτέχνης, έχεις το δικαίωμα να ονειρεύεσαι!
Γιώργος Σταυρακάκης: PostScript (Μετρονόμος, 2024)
Η ιστορία του «Dress you up» της Madonna
Αν σου αρέσει να γράφεις για μουσικά θέματα, σε περιμένουμε στην ομάδα συντακτών του ιστορικού, ανεξάρτητου, πολυφωνικού, υγιούς και δημοφιλούς ηλεκτρονικού περιοδικού μας.
Στείλε το άρθρο σου
σχολιάστε το άρθρο
| #9145 / 23.08.2007, 01:31 / Αναφορά αγαπητο φιλαρακι ,θα σε στεναχωρισω ολιγον ..σε αυτη την δουλεια δεν εγραψες οπως στις αλλες γραφες σου,σε πιανω (ολιγον) ανημερωτο σε οτι αφορα τον neil.και την ιστορια του αλλα και την δισκογραφια του,και τις συνεργασιες του.. ( ή ότι οι C, S & N ήταν ασήμαντη μπάντα. Ίσως όμως και αυτή η κίνηση, να ανήκει στη σφαίρα της εξερεύνησης. ) ασημαντη μπαντα ??? το λες ελαφρα την καρδια γιωργο μου,και μου χαρακωσες την δικη μου ,οταν διαβαζω απο σενα αυτο? ο crosby ασημαντος ? o graham ? o stephen ?...γιωργο θα σου βαλω πιπερι στο στομα ... και για να σε επαναφερω εις την ταξιν ,,σου παραθετω τα εξης κατωθι. αγγλικα ξερεις ...οποτε.... After Neil Young left the Californian folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic. From the beginning of his solo career in the late '60s until the late '90s, he never stopped writing, recording, and performing; his official catalog only represented a portion of his work, since he kept countless tapes of unreleased songs in his vaults. Just as importantly, Young continually explored new musical territory, from rockabilly and the blues to electronic music. But these stylistic exercises only gained depth when compared to his two primary styles: gentle folk and country-rock, and crushingly loud electric guitar rock, which he frequently recorded with the Californian garage band Crazy Horse. Throughout his career, Young alternated between these two extremes, and both proved equally influential; there were just as many singer/songwriters as there were grunge and country-rock bands claiming to be influenced by Neil Young. Despite his enormous catalog and influence, Young continued to move forward, writing new songs and exploring new music. That restless spirit ensured that he was one of the few rock veterans as vital in his old age as he was in his youth. Born in Toronto, Canada, Neil Young moved to Winnipeg with his mother following her divorce from his sports-journalist father. Young began playing music in high school. Not only did he play in garage rock outfits like the Esquires, but he also played in local folk clubs and coffeehouses, where he eventually met Joni Mitchell and Stephen Stills. During the mid-'60s, he returned to Toronto, where he played as a solo folk act. By 1966, he joined the Mynah Birds, which also featured bassist Bruce Palmer and Rick James. The group recorded a couple of singles for Motown that were ignored. Frustrated by his lack of success, Young moved to Los Angeles in his Pontiac hearse, taking Palmer along as support. Shortly after they arrived in L.A., they happened to meet Stills, and they formed Buffalo Springfield, who quickly became one of the leaders of the Californian folk-rock scene. Despite the success of Buffalo Springfield, the group was plagued with tension, and Young quit the band several times before finally leaving to become a solo artist in May of 1968. Hiring Elliot Roberts as his manager, Young signed with Reprise Records and released his eponymous debut album in early 1969. By the time the album was released, he had begun playing with a local band called the Rockets, which featured guitarist Danny Whitten, bassist Billy Talbot, and drummer Ralph Molina. Young renamed the group Crazy Horse and had them support him on his second album, Everybody Knows This Is Nowhere, which was recorded in just two weeks. Featuring such Young staples as "Cinnamon Girl" and "Down by the River," the album went gold. Following the completion of the record, he began jamming with Crosby, Stills & Nash, eventually joining the group for their spring 1970 album, Déjà Vu. Although he was now part of Crosby, Stills & Nash, Young continued to record as a solo artist, releasing After the Gold Rush at the end of the year. After the Gold Rush, with its accompanying single "Only Love Can Break Your Heart," established Young as a solo star, and fame only increased through his association with CSNY. Although Crosby, Stills, Nash & Young were a very successful act, they were also volatile, and they had split by the spring 1971 release of the live Four Way Street. The following year, Young had his first number one album with the mellow country-rock of Harvest, which also featured his first (and only) number one single, "Heart of Gold." Instead of embracing his success, he spurned it, following it with the noisy, bleak live film Journey Through the Past. Both the movie and the soundtrack received terrible reviews, as did the live album Time Fades Away, a record recorded with the Stray Gators that was released in 1973. Both Journey Through the Past and Time Fades Away signaled that Young was entering a dark period in his life, but they only scratched the surface of his anguish. Inspired by the overdose deaths of Danny Whitten in 1972 and his roadie Bruce Berry the following year, Young wrote and recorded the bleak, druggy Tonight's the Night late in 1973, but declined to release it at the time. Instead, he released On the Beach, which was nearly as harrowing, in 1974; Tonight's the Night finally appeared in the spring of 1975. By the time of its release, Young had recovered, as indicated by the record's hard-rocking follow-up, Zuma, an album recorded with Crazy Horse and released later that year. Young's focus began to wander in 1976, as he recorded the duet album Long May You Run with Stephen Stills and then abandoned his partner midway through the supporting tour. The following year he recorded the country-rock-oriented American Stars 'n Bars, which featured vocals by Nicolette Larson, who was also prominent on 1978's Comes a Time. Prior to the release of Comes a Time, Young scrapped the country-rock album Homegrown and assembled the triple-album retrospective Decade. At the end of 1978, he embarked on an arena tour called Rust Never Sleeps, which was designed as a showcase for new songs. Half of the concert featured Young solo, the other half featured him with Crazy Horse. That was the pattern that Rust Never Sleeps, released in the summer of 1979, followed. The record was hailed as a comeback, proving that Young was one of the few rock veterans who attacked punk rock head-on. That fall he released the double album Live Rust and the live movie Rust Never Sleeps. Rust Never Sleeps restored Young to his past glory, but he perversely decided to trash his goodwill in 1980 with Hawks & Doves, a collection of acoustic songs that bore the influence of conservative, right-wing politics. In 1981, Young released the heavy rock album Re*ac*tor, which received poor reviews. Following its release, he left Reprise for the fledgling Geffen Records, where he was promised lots of money and artistic freedom. Young decided to push his Geffen contract to the limit, releasing the electronic Trans, where his voice was recorded through a computerized vocoder, later that year. The album and its accompanying, technology-dependent tour were received with bewildered, negative reviews. The rockabilly of Everybody's Rockin' (1983) was equally scorned, and Young soon settled into a cult audience for the mid-'80s. Over the course of the mid-'80s, Young released three albums that were all stylistic exercises. In 1985, he released the straight country Old Ways, which was followed by the new wave-tinged Landing on Water the following year. He returned to Crazy Horse for 1987's Life, but by that time, he and Geffen had grown sick of each other, and he returned to Reprise in 1988. His first album for Reprise was the bluesy, horn-driven This Note's for You, which was supported by an acclaimed video that satirized rock stars endorsing commercial products. At the end of the year, he recorded a reunion album with Crosby, Stills & Nash called American Dream, which was greeted with savagely negative reviews. American Dream didn't prepare any observer for the critical and commercial success of 1989's Freedom, which found Young following the half-acoustic/half-electric blueprint of Rust Never Sleeps to fine results. Around the time of its release, Young became a hip name to drop in indie rock circles, and he was the subject of a tribute record titled The Bridge in 1989. The following year, Young reunited with Crazy Horse for Ragged Glory, a loud, feedback-drenched album that received his strongest reviews since the '70s. For the supporting tour, Young hired the avant rock band Sonic Youth as his opening group, providing them with needed exposure while earning him hip credibility within alternative rock scenes. On the advice of Sonic Youth, Young added the noise collage EP Arc as a bonus to his 1991 live album, Weld. Weld and the Sonic Youth tour helped position Neil Young as an alternative and grunge rock forefather, but he decided to abandon loud music for its 1992 follow-up, Harvest Moon. An explicit sequel to his 1972 breakthrough, Harvest Moon became Young's biggest hit in years, and he supported the record with an appearance on MTV Unplugged, which was released the following year as an album. Also in 1993, Geffen released the rarities collection Lucky Thirteen. The following year, he released Sleeps with Angels, which was hailed as a masterpiece in some quarters. Following its release, Young began jamming with Pearl Jam, eventually recording an album with the Seattle band in early 1995. The resulting record, Mirror Ball, was released to positive reviews in the summer of 1995, but it wasn't the commercial blockbuster it was expected to be; due to legal reasons, Pearl Jam's name was not allowed to be featured on the cover. In the summer of 1996, he reunited with Crazy Horse for Broken Arrow and supported it with a brief tour. That tour was documented in Jim Jarmusch's 1997 film The Year of the Horse, which was accompanied by a double-disc live album. In 1999, Young reunited with Crosby, Stills & Nash for the first time in a decade, supporting their Looking Forward LP with the supergroup's first tour in a quarter century. A new solo effort, Silver & Gold, followed in the spring of 2000. In recognition of his 2000 summer tour, Young released the live album Road Rock, Vol. 1 the following fall, showcasing a two-night account of Young's performance at the Red Rocks Amphitheater in Morrison, CO, in September 2000. A DVD version titled Red Rocks Live was issued that December, including 12 tracks initially unavailable on Road Rock, Vol. 1. His next studio project was his most ambitious yet, a concept album about small-town life titled Greendale that he also mounted as a live dramatic tour and indie film. In early 2005, Young was diagnosed with a potentially deadly brain aneurysm. Undergoing treatment didn't slow him down, however, as he continued to write and record his next project. The acoustically based Prairie Wind appeared in the fall, with the concert film Heart of Gold, based around the album and directed by Jonathan Demme, released the following year. 2006 also saw the release of the controversial CD/DVD Living with War, a collection of protest songs against the war in Iraq that featured titles such as "Let's Impeach the President," "Shock and Awe," and "Lookin' for a Leader." και καπου εδω σου παραθετω και την δισκογραφια..ελα πιες ενα υπογλωσιο ..αρχιζω 1969 - Neil Young - (320) 1970 - After the Gold Rush (USA) [@320] 1970 - After The Gold rush (320)UK 1972 - Harvest - (320)UK 1972 - Harvest () [@320] USA (24bit-192kHz) 1972 - Journey Through The Past - @192 1972 - Manassas With Stef-Hills[192k] 1973 - Time fades Away - (320) 1974 - On The Beach () [@320] USA{HDCD} 1974 - Οn Τhe Βeach - (320)UK 1975 - & Bob Dylan,The Band - Ballad of a Blue Poet 1975 - Tonight's The Night - @256 1976 - Long May You Run - (320)(with Stephen Stills) 1976 - Unreleased - Chrome Dreams Album - (Bootleg) (@320) 1977 - American Stars 'n Bars (@224) 1977 - Decade (@256) 1978 - Comes A Time (USA) [@320] 1978 - Comes A Time (@320)UK 1980 - Hawks & Doves - @256 1982 - Trans - @320 1983 - Everybody's Rockin' - (320) 1984 - Austin City Limits (1984) @160 1985 - Old Ways [320] 1986 - Landing On Water - @320 1986 - Massachussetts Matinee - 2CD - (Bootleg) 1988 - This Notes For You - @192 1989 - Collector's Heartland - @192 1989 - Eldorado - (320) 1989 - Freedom (Rock@320) 1990 - Born to Rock 'n Roll (VBR 1992 - Chrome Dreams (Unreleased) (75-77) (@320) (Bootleg) 1992 - Harvest Moon (@256) 1993 - & Booker T and the MG's - 1973 - Event of the Season 3-7-93 1993 - Lucky Thirteen @256 1993 - Unplugged - @320 1994 - Legend Of The Loner - @192 1994 - Sleeps With Angels - [@320] 1995 - Mirror Ball (@256) 1996 - & The Vipers - 1996 - Thirteen [VBR] 1996 - Deadman (Soundtrack) - @192 1997 - Acoustic Afternoon (Bootleg) - @192 1997 - Don't Spook The Horse (2 CD) 1998 - & The Vipers - 1998 - One's Enough [Blues@256) 1999 - Forever Singing (live) 2000 - Silver & Gold - @320 2000 - Sticking Together In Camden (b) 2001 - F... Me Cause I'm Stoned (Bootleg-2CD-1976&1978) 2001 - Mystery Train - @192 2002 - Are You Passionate - @320 2003 - An Acoustic Tale Of Greendale - Cover 2003 - Live At Cirkus, Stockholm 2003-04-22 - @mixed 2005 - Prairie Wind [256] 2006 - Living With War [192] νερο και παμε Neil Young & Crazy Horse - 1969 - Everybody Knows This Is Nowhere - @256 Neil Young & Crazy Horse - 1975 - Zuma - (320) Neil Young & Crazy Horse - 1979 - Live Rust (@256) Neil Young & Crazy Horse - 1979 - Rust Never Sleeps Neil Young & Crazy Horse - 1981 - Re-ac-tor - @192 Neil Young & Crazy Horse - 1987 - Life - @320 Neil Young & Crazy Horse - 1990 - Ragged Glory - @320 Neil Young & Crazy Horse - 1991 - Arc Neil Young & Crazy Horse - 1994 - Sleeps With Angels - @320 Neil Young & Crazy Horse - 1996 - Broken Arrow (@320) Neil Young & Crazy Horse - 1998 - Greendale ( 2 CDs ) @192 αλλο ενα χαπι.. και συνεχιζω 1969 - Big Sur Folk Festival September 2CD (256) 1969 - Crosby, Stills & Nash - @192 1969 - The Acoustic Concert (PBS) 1970 - Deja Vu - (@192) 1970 - Live In LA - (@192)USA 1971 - 4 Way Street - (@320)UK 1971 - 4 Way Street - [@320]USA 1971 - Four Way Street - (@320) 1972 - Graham Nash David Crosby - [192] 1973 - Manassas [128k-192k] 1974 - So Far [256k] 1975 - Wind On The Water - @192 1976 - Whistling Down The Wire - @192 1977 - CSN - @224 1982 - Daylight Again - [256k-320k] 1988 - American Dream @ 256 1991 - CSN Box Set 4 CD 1992 - The Acoustic Concert (PBS Special) (128) 1994 - After The Storm 1994 - CSN Rarities [256] 1998 - Daylight Again (@320) 1999 - Looking Forward 2000 - Allies 2001 - Live It Up [320k] 2006 - Remastered & Expanded - (320) παρε ανασα και παμε παλι 1970 - Studio Outtakes (Perro Seesions) (Rock@320) 1971 - If I Could Only Remember My Name - 320]USA 1971 - If I Could Only Remember My Name(@320)UK 1972 - & Graham Nash w. Neil Young - Winterland FM 1972 - David Crosby Graham Nash(@192) 1972 - Graham Nash, David Crosby (320] 1989 - Oh Yes I Can (Rock@320) πιες λιγο νερακι γιατι ερχετε και αλλη συνεχεια .. 1968 - Just Roll Tape, April 26, [@320] 1970 - Stephen Stills I 1971 - Stephen Stills II - (@192) 1971 - Stills Alone 1972 - & Manassas - Indiana University 10-19-72 1973 - Down The Road 1974 - Right By You 1976 - Illegal Stills 1976 - Stills & Young Band - Long May You Run 1978 - Berkley '78 - (@256) 1979 - Live `79)[192] 1991 - Stills Alone - [@320) 2005 - Man Alive - [VBR] ΑΛΛΑ.....ολα τα ανωτερω μου,, ομως δεν αναιρουν την εξαιρετη και ονειρεμενη εργασια σου..γιωργη μπραβο για αλλη μια φορα ..και τελευταια απο εμενα . διοτι θα καταλαβεις τους λογους, (απο μονος σου,και δεν ειναι της παρουσης στηλης ) .της αποχωρισης μου, καπου καπου θα μπαινω να σε διαβαζω μονο .διοτι εισαι απο τους τελευταιους εναπομειναντες της γραφικης μουσικης πεννας, σε ονειρικο επιπεδο γραφης ..ειτε με στυλο big ειτε με μελανι ..ο νοων νοειτω...καποια στιγμη ,σε ανυποπτο χρονο θα τα πιουμε παρεα. μονο που εμενα μου αρεσει η ....BAD. ομως και σε βαρελισια δεν λεω οχι..αρκει να ειναι παγωμενη .......... |
| #9146 / 23.08.2007, 01:44 αν παρελπιδα δεν γνωριζεις αγγλικα (που δεν το πιστευω)μπορω αριστα να στα γραψω ειτε ισπανικα - γαλλικα - γερμανικα - ολανδικα - ιταλικα και σουηδικα. |
#9147 / 23.08.2007, 01:46αγαπητο φιλαρακι, θα σε στεναχωρισω ολιγον ..σε αυτη την δουλεια δεν εγραψες οπως στις αλλες γραφες σου, σε πιανω (ολιγον) ανημερωτο σε οτι αφορα τον neil.και την ιστορια του αλλα και την δισκογραφια του,και τις συνεργασιες του.. ( ή ότι οι C, S & N ήταν ασήμαντη μπάντα. Ίσως όμως και αυτή η κίνηση, να ανήκει στη σφαίρα της εξερεύνησης.) ασημαντη μπαντα ??? το λες ελαφρα την καρδια γιωργο μου, και μου χαρακωσες την δικη μου, οταν διαβαζω απο σενα αυτο? ο crosby ασημαντος ? o graham ? o stephen ?...γιωργο θα σου βαλω πιπερι στο στομα ... Πέτρο μου, είναι βέβαιο ότι δεν κατάλαβες αυτό που γράφω. Έγραψα ότι οι C, S & N ήταν ασήμαντη μπάντα; Ούτε από λάθος δεν θα το έκανα! Σε παρακαλώ να ξαναδιαβάσεις την παράγραφο: “Το 1969 ήταν πάντως μία χρονιά προσωπικών ….αποκαλύψεων, αφού είναι η χρονιά που ξεκινούν προσωπικές καριέρες οι τέσσερις Beatles, αλλά ο Neil -σε αντιδιαστολή- ενσωματώνεται στους Crosby, Stills & Nash. Μια χαρά τα πήγαινε μόνος του και δεν ξέρω γιατί έκανε αυτή την κίνηση. Μ’ αυτό δεν εννοώ ότι ήταν άστοχη, ή ότι οι C, S & N ήταν ασήμαντη μπάντα. Ίσως όμως και αυτή η κίνηση, να ανήκει στη σφαίρα της εξερεύνησης.” Όσο για τη δισκογραφία του, δεν υπάρχει καμία περίπτωση να την αναλύσω ολόκληρη, γιατί θα χρειάζομαι 470 άρθρα σε ….συνέχειες!!! Δεν γίνεται. Ξέχασέ το! Υ.Γ. Και τι νομίζεις δηλαδή; Ότι εγώ δεν θα πιω Bud? :) |
| #9149 / 23.08.2007, 08:36 εξαιρετικό περιγραφικό και ιδανικό για να βάλεις κάποιο στη διαδικασία να ανακαλύψει τον ΝEIL YOUNG.Ευχάριστη πρωινη έκπληξη για μένα έναν κολλημένο με τον Young και σαν τέτοιος θα ήθελα να σου καταθέσω την προσωπική μου άποψη.Αγαπημένος μου δίσκος το Tonight's The Night΄τον θεωρώ τον πιο ατμοσφαιρικό του δίσκο ηχογραφημένο με τις φωνές και τα σχολιά τους σε μια δύσκολη ψυχολογικά περίοδο για τον ίδιο.Δεν μπορώ να καταπιώ το TRANS (έχουν και οι πειραματισμοί το όριό τους) λατρεμένα τραγούδια το southern man και το helpless(η εκτέλεση στο last waltz ονειρική).Τον γουστάρω και έναν ακόμη λόγο γιατί είναι αγωνιστής παρα τις ατέλειωτες κρίσεις επιληψίας που είχε στη ζωη του (πολλές επάνω στη σκηνή) παρά την τελευταια επέμβαση που έκανε πριν απο λίγο καιρό (ανεύρησμα) δεν το έβαλε ποτέ κάτω βαθύτατα πολιτικοποιημένος έβγαλε το Living With War κάνωντας τον δικότου πόλεμο με τη πολιτική της Αμερικής και μετέτρεψε τη σελίδα του στο ιντερνετ σε μια γροθιά στη πολιτική του Μπους. υ.γ. παρασύρθηκα λιγάκι πρωινιάτικα αλλά αν θυμάσαι στο είχα ζητήσει όταν πρωτοέγινα μέλος στο Μ.Η. ευχαριστώ Παναγιώτης |
| #9152 / 23.08.2007, 11:10 εχεις απολυτο δικιο,το γηρας ουκ ερχετε μονον,πολα δεινα του επονται,,φορεσα τους υαλοπινακες μου ,και διαβασα την παραγραφο..ναι εχεις δικιο..σορρυ. |
| #9154 / 23.08.2007, 13:24 / Αναφορά Λέει κάπου ο Neil: "What is the color when black is burned?"... Και για μένα, εκεί μέσα κρύβεται όλη η στιχουργική δύναμή του, όλη η αισιοδοξία που βγαίνει κόντρα στην απαισιοδοξία, όλη η διαφωνία και η διερευνητική του στα πράγματα, ματιά! Γιατί αυτός είναι ο Neil... Ο ποιητής rolling stone! Που δεν πείθεται και δεν εφησυχάζει... ΥΓ Γνωρίζετε ότι οι Lynard Skynard γράψανε το Sweet Home Alabama, σαν αντίδραση σε δύο του τραγούδια, το Southern Man, από το άλμπουμ After the Gold Rush, και το Alabama, από το άλμπουμ Harvest? Φιλικά, Γρηγόρης Δεσύπρης.- ΥΓ 2 Γιώργο και πάλι μπράβο για την ψυχή που βάζεις στα άρθρα σου! |
| #9157 / 23.08.2007, 14:07 η δήλωση του Ronnie Van Zant:"We wrote Alabama as a joke. We didn't even think about it - the words just came out that way. We just laughed like hell, and said 'Ain't that funny'... We love Neil Young, we love his music..." |
| #9155 / 23.08.2007, 13:34 / Αναφορά Den exw logia re phile orfeus...... oti grapheis aksizei na to diavasei kanei!! einai polu kalo!! vasikotera neil young akouw xronia twra ontws exei afisei epoxh (einai ontws mesa stin triada twn megaluterwn poitwn tou rock.... sunexise tin kali douleia..... |
| #9156 / 23.08.2007, 13:46 / Αναφορά Thnx All !!!!! :) |
| #18474 / 23.05.2009, 02:15 Γλυκέ μου Νηλ Γιανγκ .... Αγαπημένε μου τραγουδοποιέ .... Υπερ - ευαίσθητέ μου παρατηρητή της καθημερινότητας .... Μάλλον ποτέ δεν θα μάθεις πόσο πολύτιμη συντροφιά μου έχουν κρατήσει τα τραγούδια σου σε δύσκολες στιγμές της ζωής μου .... Από τις πολύπλευρες πτυχές αυτού του πολύ σπουδαίου καλλιτέχνη και σπάνιου ανθρώπου, κρατάω αυτή του ΕΡΩΤΙΚΟΥ ΤΡΑΓΟΥΔΟΠΟΙΟΥ [παρόλο που ο Νηλ είναι περσσότερο γνωστός για τον κοινωνικοπολιτικό στίχο του] : Κρατάω την ερωτική αγωνία και το ερωτικό ανεκπλήρωτο στα, υπέροχα στην απλότητά τους, τραγούδια του RUNNIN' DRY και WHAT DID YOU DO TO MY LIFE .... Κρατάω τον "κατασταλαγμένο" έρωτά του στο HARVEST MOON, όπου ο ήρωας του τραγουδιού λέει στην εδώ και πολλά έτη σύντροφό του ότι ακόμη την αγαπάει [θυμάμαι πόσο με είχε συγκινήσει το βίντεο κλιπ αυτού του τραγουδιού, με το ζευγάρι, νομίζω μεγάλης ηλικίας, να συνεχίζει να χορεύει αγκαλιαστό την ώρα που κλείνει το μπαρ]. Και ναι ... τον Νηλ Γιανγκ τον λατρεύω και ως ΗΛΕΚΤΡΙΚΟ ΚΙΘΑΡΙΣΤΑ, με αυτά τα "βρώμικα", "βαρύθυμα", αργόσυρτα σόλο του [ιδίως στα τραγούδια SOUTHERN MAN και CORTEZ THE KILLER] !!! Όμως ... έχω ένα παράπονο : Θα έρθει ποτέ στην Ελλάδα να τον δούμε λάιβ ??? Μακάρι .... Φέτος το καλοκαίρι, δυστυχώς, δεν το έφερε η τύχη οι μέρες της άδειάς μου να συμπέσουν με ευρωπαϊκή τουρνέ του. Όμως ... στις 4 Ιουλίου θα είμαι, κατά πάσα πιθανότητα, στο θέατρο "ΟΛΥΜΠΙΑ" του Παρισιού για τη συναυλία των CROSBY, STILLS & NASH .... |
| #19276 / 05.12.2009, 14:54 / Αναφορά Σίγουρα ένας από τους αγαπημένους μου τραγουδοποιούς. Ένας πραγματικα ποιητής της ροκ. Είχε τις πόλυ καλές στιγμές του, αλλά και τις... κακες του. Τέλως πάντων εμένα θα μου αρέσει η μουσική ότι και να γίνει! Οι καλύτεροι 5 δίσκοι του κατά τη γνώμη μου: 1 Harvest 2 Rust Never Sleeps 3 After The Gold Rush 5 Everybody Knows This Is Nowhere 6 Freedom |
10 Τραγούδια που Προέβλεψαν το Μέλλον
Δημιουργώντας ένα Υποθετικό Album των Beatles στη Δεκαετία του '70
Martha
Τα Άλυτα Μυστήρια στην Ιστορία της Μουσικής
